‘A Tree Tells’ – Notation V. 1

// My latest piece ‘A Tree Tells‘ holds a deeper meaning than the average artichoke.

———-

In the midst of the Bushfire crisis in my beloved Australian homeland, I felt a need to channel my sadness and angst into a song – told from the perspective of a tree (pictured) that I connected with during a recent movement workshop led by Sebastian Stert.

IMG_7769

It is easy to take nature’s magic for granted, but as our treasured planet continues to change ever so rapidly, this workshop was spent strengthening our connection to nature and reflecting upon the importance of self-grounding amidst our environment. It is so important to remain mindful of the need for greater action to preserve the stunning habitat in which we are harmoniously immersed within… It is so easy to lose touch… to forget to stop and listen to the trees. But perhaps the most valuable part of this adventure was a moment of connected energy between the trees and me. They have been there for many centuries, and will outlive all of us. The least we can do is to respect them and all that they give. // Needless to say, I went straight home and wrote A Tree Tells

———–

This composition is purposefully simple. In contrast to the other vegetable pieces, I felt that the lyrics were the foundation for this piece of music. Thus, I chose to use only partials to accompany the vocal melody; … to enhance the story, and to avoid distraction from the fundamental meaning of the lyrics.

———–

~~~ Notation ~~~

The notation of this piece has offered a great exercise in my continued enquiry into different methods of communicating my music to others on the score. As I have previously posted about the notational inconsistencies of harmonics across different scores, I have tried a particular method for this particular piece:

Click here for the full score: A Tree Tells 

——– > A numbering system was used to indicate which strings the partials are played on, accompanied by a diagram that I have made below:

Double Bass - String Numbering Diagram

——– > A second page is focused on the bass part, with a pitch indication on the line above. This allows for much closer detail in regards to particular string numbers, with a direct reference to the sounding pitch of each partial (see below).

Untitled~~~ Summary ~~~

Whilst I am currently experimenting with the complex world of notation, I am satisfied with the level of clarity that I have achieved in this particular score so far. In contrast to my other pieces, I chose to focus on this one due its simplicity and single-line accompaniment. The rare occurrence of double-stops has allowed for a cleaner appearance on the page, and perhaps with more work in this direction, it will become easier to translate the rest of my compositions into a more consistent form of notation.

 

 

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s